Wiedoeft and Tate
Show business lost two of its most colorful d figures last week in the deaths of Rudy Wiedoeft, the saxophone king, and Harry Tate, the vaudevillian. Wiedoeft, California-born son of an orchestra leader, was a professional clarinetist when he was 11 years of age. By the time he had reached manhood his saxophone playing was setting a standard for others to follow. A young Yale undergrad, for example, changed his own name of Hubert Prior to Rudy Vallee. Wiedoeft owed much of his success to the friendly aid given him by Paul Whiteman. The two had grown up together when Wiedoeft's father was an orchestra leader in Denver, but his lasting fame was due to his own proficiency both as a virtuoso and a composer. Wiedoeft's passing was tragic because of his comparative youth - he was 46 - and made even more poignant by the collapse and death of his aged mother when she heard the news. ... Harry Tate represented quite another school of popular entertainment, vaudeville, and his death at 67 was due to the war that left him unscathed when it was fought some twenty years ago. Tate died from a head injury sustained from a shell splinter during a German air raid on the Scottish coast. He was. watching the aerial action when the fragment struck, blindness in one eye setting in before death. For nearly 40 years Tate was a top figure in the English 'alls and the American two-a-day. His "Motoring” sketch, later done in the United States by Harry Langdon, was a masterpiece of slapstick satire; and his "Golfing" sketch was another bit of hilarity. He is said to have collaborated with W. C. Fields on the latter's version of golfing. The two men were great cronies in the old days.